David Munrow & The Early Music Consort Of London
Pleasures Of The Royal Courts
1. The Courtly Art of the Trouvères
Adam de la Halle (c.1237-c.1286): Tant con je vivrai (rondeau; countertenor, fiddle, viol, nakers)
Anon (13th century): La sexte estampie real (recorder, viol, tabor)
Anon (13th century): Ductia (fiddle, viol, tabor)
Colin Muset (early 13th century): Quant je voy yver (chansonette; countertenor, gemshorn, harp)
Adam de la Halle: Fines amouretes ai (virelai; countertenor, recorder, organ)
Anon (13th century): Souvent souspire mon cuer (estampie; countertenor, recorder, viol, 2 tabors)
2. The Burgundian Court of Philip the Good
M. Gulielmus (late 15th century): Falla con misuras (bassedanse; shawm, fiddle, tabor)
Johannes Legrant (fl.c.1419-c.1446): Entre vous, noviaux mariés (ballade; countertenor, fiddle, crumhorn)
Dufay: Vergine bella (chanson; countertenor, fiddle, viol)
3. The German Court of Emperor Maximilian
Isaac: Isbruck, ich muß dich lassen (countertenor, recorder, fiddle, viol)
Johann Weck (early 16th century): Spanyöler Tancz & Hopper Dancz (harpsichord)
Ludwig Senfl (c.1486-c.1543): Nun wöllt ihr hören neue Mär' (countertenor, dulcian, fiddle, viol, harpsichord)
4. Italian Music of the Medici Court
Three carnival songs (c.1505; countertenor, recorder, fiddle, viol, harpsichord):
Paolo Scotto: o fallace speranza
Jac. Fo.: Tua volsi esser sempre mai
Joh. Bapt. Zesso: E quando andarete al monte
Six anonymous polyphonic dances (early 16th century):
Zorzi (recorder, fiddle, viol, harpsichord)
Pavana in passe e mezzo (harpsichord)
Saltarello de la pavana (harpsichord)
La Manfrolina (organ, kortholt, viol)
El pomo de lo pomaro (harpsichord)
La rocha el fuso (recorder, fiddle, viol, harpsichord)
Marchetto Cara (d.c.1525): Non e tempo (frottola; countertenor, shawm, fiddle, viol, harpsichord)
5. The Spanish Courts in the Early 16th Century
Diego Ortiz (c.1525-c.1570): Recercadas primera y segunda (viol, harpsichord
Alonso (early 16th century): La tricotea Samartín (countertenor, dulcian, viol)
Antonio de Cabezón (c.1510-1566): Diferencias sobre "La dama le demanda" (harpsichord)
Anon (early 16th century): Rodrigo Martines (countertenor, crumhorn, viol)
Juan del Encina (1468-c.1530): Ay triste que vengo (countertenor, fiddle, viol, harpsichord)
Anon (early 16th century): Pase el agoa, ma Julieta (countertenor, fiddle, viol, kortholt, tabor)
De este CD aparecen 2 fechas de grabación: 1971 y 1976. Como no lo he visto por estos lugares y ya que José me lo hizo llegar en óptimas condiciones, hoy lo comparto.
CUE.
Conservé el CUE original de 5 pistas e hice otro con las pistas sub-divididas que me dan un total de 28.
Fran Solo
FLAC /CUE -Carátulas en alta definición CD, 214mb ZIP
Link en comentarios.
